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	<title>motion.tv &#187; motion+connect</title>
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	<link>http://motion.tv</link>
	<description>experience inspiration</description>
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		<title>The Swiss Army Knife of Visual Effects</title>
		<link>http://motion.tv/2010/07/13/the-swiss-army-knife-of-visual-effects/</link>
		<comments>http://motion.tv/2010/07/13/the-swiss-army-knife-of-visual-effects/#comments</comments>
		<pubDate>Wed, 14 Jul 2010 03:30:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[broadcast design]]></category>
		<category><![CDATA[motion graphics]]></category>
		<category><![CDATA[motion+connect]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://motion.tv/?p=1800</guid>
		<description><![CDATA[motion+connect 07/13/10
 motion+mini2: The Swiss Army Knife of Visual Effects
Boris Continuum Complete 7 AE brings over 200 filters to Adobe After Effects and Premiere Pro. Version 7 features 11 new filters including a 3-way color grade filter with built-in keying and masking tools, a new video noise reduction tool, a spline-based warp filter, an audio-driven keyframe [...]]]></description>
			<content:encoded><![CDATA[<p><strong>motion+connect 07/13/10<br />
 motion+mini</strong><sup><strong>2</strong></sup><strong>: The Swiss Army Knife of Visual Effects</strong></p>
<p>Boris Continuum Complete 7 AE brings over 200 filters to Adobe After Effects and Premiere Pro. Version 7 features 11 new filters including a 3-way color grade filter with built-in keying and masking tools, a new video noise reduction tool, a spline-based warp filter, an audio-driven keyframe generator, a new OpenGL particle engine, and still and video morph technology. In this session, Paul Ezzy will highlight some of these amazing new features.</p>
<p>Paul Ezzy is an independent filmmaker and videographer. Trained formally as a filmmaker, editor, and actor at NYFA and the Rockport Photographic Workshops, Paul also has degrees in Education, Chemistry, and Psychology. His choice past-times include creating visual special effects, art, and video games.</p>
<p align="left"><a class="tt" href="http://twitter.com/home/?status=The+Swiss+Army+Knife+of+Visual+Effects+http://9y2n2.th8.us" title="Post to Twitter"><img class="nothumb" src="http://motion.tv/wp-content/plugins/tweet-this/icons/tt-twitter-micro3.png" alt="Post to Twitter" /></a></p>]]></content:encoded>
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		</item>
		<item>
		<title>Using Repousse and 3D in Photoshop CS5 Extended</title>
		<link>http://motion.tv/2010/07/13/using-repousse-and-3d-in-photoshop-cs5-extended/</link>
		<comments>http://motion.tv/2010/07/13/using-repousse-and-3d-in-photoshop-cs5-extended/#comments</comments>
		<pubDate>Wed, 14 Jul 2010 03:25:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[motion graphics]]></category>
		<category><![CDATA[motion+connect]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual effects (VFX)]]></category>

		<guid isPermaLink="false">http://motion.tv/?p=1795</guid>
		<description><![CDATA[motion+connect 07.13.10
motion+mini1 : Scott Valentine: Using Repousse and 3D in Photoshop CS5 Extended
Join author Scott Valentine as he demonstrates how to create a realistic 3D theater marquee using the new Repousse and 3D tools in Photoshop CS5 Extended. Learn how to convert text into a 3D object and composite it into an image using lighting [...]]]></description>
			<content:encoded><![CDATA[<p><strong>motion+connect 07.13.10</strong></p>
<p><strong>motion+mini1 : Scott Valentine: </strong><strong>Using Repousse and 3D in Photoshop CS5 Extended</strong></p>
<p style="margin-top: 0px;margin-right: 0px;margin-bottom: 15px;margin-left: 0px;padding: 0px">Join author Scott Valentine as he demonstrates how to create a realistic 3D theater marquee using the new Repousse and 3D tools in Photoshop CS5 Extended. Learn how to convert text into a 3D object and composite it into an image using lighting and cameras.</p>
<p style="margin-top: 0px;margin-right: 0px;margin-bottom: 15px;margin-left: 0px;padding: 0px">Scott Valentine is an award-winning experimental photographer and Photoshop finger-painter. Recently, he has been adding 3D to his experiments, hoping to get other photographers interested in the amazing flexibility this tool offers.</p>
<p align="left"><a class="tt" href="http://twitter.com/home/?status=Using+Repousse+and+3D+in+Photoshop+CS5+Extended+http://mxmw7.th8.us" title="Post to Twitter"><img class="nothumb" src="http://motion.tv/wp-content/plugins/tweet-this/icons/tt-twitter-micro3.png" alt="Post to Twitter" /></a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An Evening with Legendary Disney Animator Dan Haskett</title>
		<link>http://motion.tv/2010/03/04/an-evening-with-disney-animator-dan-haskett/</link>
		<comments>http://motion.tv/2010/03/04/an-evening-with-disney-animator-dan-haskett/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 19:15:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[motion+connect]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://motion.tv/?p=1708</guid>
		<description><![CDATA[Over the past 30 years, the art and techniques of animation have changed drastically. The advent of computer animation ushered in &#8216;better and faster&#8217; ways to work. But at what cost? How did it affect the art of animation?
In this month&#8217;s motion+connect, Legendary Disney Animator, Dan Haskett shares his views and insights on the current [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://motion.tv/files/2010/03/danHaskett_web.jpg" class="highslide-image" onclick="return hs.expand(this);"><img class="alignleft size-full wp-image-1709" src="http://motion.tv/files/2010/03/danHaskett_web.jpg" alt="Dan Haskett" width="335" height="250" /></a>Over the past 30 years, the art and techniques of animation have changed drastically. The advent of computer animation ushered in &#8216;better and faster&#8217; ways to work. But at what cost? How did it affect the art of animation?</p>
<p>In this month&#8217;s <strong>motion+connect</strong>,<strong><span style="font-size: medium"> Legendary Disney Animator, Dan Haskett</span></strong> shares his views and insights on the current state of animation. How has computer animation helped the industry – and how has it hurt.</p>
<p><a href="http://motion.tv/rsvp/">Register now</a> to attend this special <strong>motion+connect</strong> session.</p>
<p><strong>about the speaker</strong>:<br />
 Dan Haskett, a Harlem native, is a master animator with four decades in the business.</p>
<p>With many credits to his name, he is well-known for creating the characters of &#8220;Belle&#8221; for <em>Beauty and the Beast</em> and &#8220;Ariel&#8221; for <em>The Little Mermaid</em>.</p>
<p>Haskett began his career setting up an animation department for a New York company that did commercials and corporate films. A co-worker told him about a man named Richard Williams, who would later go on to make <em>Who Framed Roger Rabbit?</em> Because of Williams, Haskett got an audience with Frank Thomas, one of Walt Disney&#8217;s famed &#8220;Nine Old Men&#8221; group of directing animators. Haskett was offered a job as a junior animator under Thomas on <em>The Fox and the Hound</em>.</p>
<p>Freelancing for Disney, Warner Bros. and many others since then, Haskett&#8217;s credits include <em>Toy Story</em>, <em>The Prince of Egypt</em>, <em>Sesame Street</em>, <em>Scooby Doo</em>, and has done commercial work for Kellogg&#8217;s and Nestle. He won an Emmy for his work on <em>The Simpsons</em>. Haskett helped pioneer a resurgence of classic Disney qualities and &#8220;organic&#8221; animation.</p>
<p><strong>mini-session:<br />
 <span style="font-weight: normal">Immediately following Dan Haskett&#8217;s presentation, join Alicia VanHeulen from Toolfarm for a quick up-to-speed on </span><span style="font-size: large">Giving Life to Still Image Composites</span><span style="font-weight: normal">. You won&#8217;t want to miss it!</span></strong></p>
<p><strong>overview:</strong><br />
 7:30-8:20 PM: Dan Haskett on Animation<br />
 8:20-8:30 PM: Q&amp;A<br />
 8:30-8:40 PM: Giving Life to Still Image Composites<br />
 8:40-8:45 PM: Q&amp;A<br />
 8:45-8:55 PM: reels@motion<br />
 8:55-9:00 PM: giveaway: Toolfarm Expert Series After Effects Camera Training, taught by Rob Birnholz</p>
<p>*all times are MST | UTC-7</p>
<p><strong>when: </strong>tuesday, march 9, 2010<strong><br />
 where: </strong>online | in ABQ**<br />
 <strong>time</strong>: 7:30 – 9:00 PM {MST | UTC-7}<br />
 <strong>url</strong>: <a href="http://experts.na3.acrobat.com/motionconnect/" target="_blank">http://experts.na3.acrobat.com/motionconnect/</a><br />
 <strong>user name</strong>: your real name (i.e., anna mae). This is and sponsor opt-in required to be eligible to win prizes.<br />
 <strong>password</strong>: not required</p>
<h3><strong>**live in ABQ?</strong></h3>
<p>Join us as we watch the event live from the Art Center Design College, located at 5000 Marble NE. Doors open at 7pm. Network and enjoy the show!</p>
<p>Help spread the word. Tell your friends about this event!<br />
 We look forward to seeing you online at <strong>motion+connect</strong>.</p>
<p><a href="http://motion.tv/rsvp/">Register now</a> to attend this special <strong>motion+connect</strong> session.</p>
<p align="left"><a class="tt" href="http://twitter.com/home/?status=An+Evening+with+Legendary+Disney+Animator+Dan+Haskett+http://knkkr.th8.us" title="Post to Twitter"><img class="nothumb" src="http://motion.tv/wp-content/plugins/tweet-this/icons/tt-twitter-micro3.png" alt="Post to Twitter" /></a></p>]]></content:encoded>
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		</item>
		<item>
		<title>Concept Vehicle Design Using Maya</title>
		<link>http://motion.tv/2010/02/04/concept-vehicle-design-using-maya/</link>
		<comments>http://motion.tv/2010/02/04/concept-vehicle-design-using-maya/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 04:55:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[motion+connect]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visual effects (VFX)]]></category>
		<category><![CDATA[2D]]></category>
		<category><![CDATA[3D]]></category>
		<category><![CDATA[autodesk]]></category>
		<category><![CDATA[marcel de jong]]></category>
		<category><![CDATA[maya]]></category>
		<category><![CDATA[mudbox]]></category>
		<category><![CDATA[sketchbook pro]]></category>

		<guid isPermaLink="false">http://motion.tv/?p=1684</guid>
		<description><![CDATA[
Join us for motion+connect!
Concept Vehicle Design in 2D and 3D Using Sketchbook, Maya and Mudbox
 Marcel de Jong is a visionary when it comes to his concept vehicle designs. His inspired designs simply state, ‘what if?’ and ‘why not?’ From his &#8216;Maasai&#8217; motorcycle that Batman would drool over, to his ‘futuristic’ bomber that looks like…well, [...]]]></description>
			<content:encoded><![CDATA[<p><img src='http://motion.tv/wp-content/plugins/simple-post-thumbnails/timthumb.php?src=/wp-content/thumbnails/1684.jpg&amp;w=200&amp;h=150&amp;zc=1&amp;ft=jpg' alt='post thumbnail' /></p>
<p><strong>Join us for motion+connect!</strong></p>
<p><strong>Concept Vehicle Design in 2D and 3D Using Sketchbook, Maya and Mudbox</strong></p>
<p><a href="http://motion.tv/files/2010/02/marcelDeJong.jpg" class="highslide-image" onclick="return hs.expand(this);"><img class="alignleft size-full wp-image-1685" src="http://motion.tv/files/2010/02/marcelDeJong.jpg" alt="marcelDeJong" width="149" height="150" /></a> Marcel de Jong is a visionary when it comes to his concept vehicle designs. His inspired designs simply state, ‘what if?’ and ‘why not?’ From his &#8216;Maasai&#8217; motorcycle that Batman would drool over, to his ‘futuristic’ bomber that looks like…well, not like any plane we’ve ever seen, you’ll have the opportunity to take a peak at how Marcel creates his magic.</p>
<p>In this <strong>motion+connect</strong> session, he’ll walk you through a simplified version of his workflow process in creating these amazing concept vehicles – from sketch to matte painting to render – using Sketchbook, Maya and Mudbox.</p>
<p>Beginning with Sketchbook, we’ll take a look at its functionality that accommodates storyboarding as well as the initial design process when laying out early vehicle concepts.</p>
<p>Next, Marcel will demo some basic exercises he uses to build and lay out the base model in Maya that then gets exported for detailing and texture paint in Mudbox.</p>
<p>Finally, all data will end up in Maya for animation setup or final rendering.</p>
<p>Along the way, we’ll get a healthy dose of inspiration from witnessing Marcel’s genius.</p>
<p>Marcel is an award-winning concept designer, a highly regarded digital effects consultant for clients like DreamWorks, Digital Domain, Pixar, and Sony Pictures Imageworks, and a favorite speaker at <strong>motion</strong> events. His feature film credits and production experience include <em>Inspector Gadget</em>, <em>Sphere</em>, <em>Mortal Kombat</em>, <em>Armageddon</em>, and <em>Batman Returns</em>. His work has been widely published in an array of publications including, <em>ID Magazine</em>, <em>Popular Mechanics</em>, <em>CGW</em> and <em>Innovation</em>. He is co-founder of Gnomon School of Visual Effects and is currently a Senior Solution Engineer at Autodesk Media and Entertainment Division.</p>
<p><strong>Tuesday, February 9, 2010</strong></p>
<p><strong>online</strong>:<br />
 <strong>time</strong>: 7:30 &#8211; 9:00 PM {MST | UTC-7}<br />
 <strong>url</strong>: <a href="http://experts.na3.acrobat.com/motionconnect/" target="_blank">http://experts.na3.acrobat.com/motionconnect/</a><br />
 <strong>user name</strong>: your real name (i.e., anna mae). This is required to be eligible to win prizes.<br />
 <strong>password</strong>: not required</p>
<p><strong>in ABQ</strong>:<br />
 <strong>time</strong>: 7:00 &#8211; 9:00 PM <br />
 UNM ARTS Lab <br />
 131 Pine St NE<br />
 Albuquerque, NM 87106</p>
<p><strong>overview</strong>:<br />
 7:30-8:20 PM: Concept Vehicle Design in 2D and 3D<br />
 8:20-8:30 PM: Q&amp;A<br />
 8:30-8:40 PM: Managing Fonts for Motion Graphics<br />
 8:40-8:50 PM: Beauty Box: Skin Retouching in After Effects and FCP<br />
 8:50-8:55 PM: reels@motion<br />
 8:55-9:00 PM: software giveaways<br />
 *all times are MST | UTC-7</p>
<p><a href="http://motion.tv/rsvp/" target="_blank">RSVP</a> to be eligible for software giveaways. Must be present (in person OR online) to win.</p>
<p align="left"><a class="tt" href="http://twitter.com/home/?status=Concept+Vehicle+Design+Using+Maya+http://qngtf.th8.us" title="Post to Twitter"><img class="nothumb" src="http://motion.tv/wp-content/plugins/tweet-this/icons/tt-twitter-micro3.png" alt="Post to Twitter" /></a></p>]]></content:encoded>
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